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Sculpting the Original

For this tutorial, I will be sculpting using a material called Polymer Clay. This is a type of clay that doesn't harden until it's been baked in an oven. (It's sold in craft stores under the brand names: FIMO and Super Sculpey.) Besides polymer clay, you can also sculpt using regular old modeling clay, which doesn't harden when you bake it. However, modeling clay has a greater chance of being damaged while you're making your mold, (and if you want to make multiple molds using a single item made from modeling clay, forget it.)
Before you begin sculpting any kind of clay, you need to pick up the right tools:

These are Double-Ended Wax Carving Tools (also called Dental Tools). I got the set I use on www.ebay.com , but they can also be found selling in art supply stores and online at places like The Compleat Sculptor. You can expect to pay at least 25-30 dollars for a good set of wax carving tools.

Now to find a good reference picture for our project....
Ooh. Lovely. When researching a project, you should probably find more than one picture, envisioning the item from as many different angles as possible. The item I'll be creating for this tutorial is Cloud's Wolf Fenrir Ornament from Final Fantasy VII: Advent Children. You'll notice, when you examine the item and break it down into its' component shapes, that the item seems made up of different layers. A round, flat base covered by a layer of leaf-shaped fur locks, with a mound rising out of that to form the snout in front. (Think about which parts of the ornament you'll have to lay down first and what parts you'll have to build on top of them later and you should have a good idea on how to make the whole.)


The first step in recreating this item: make the base.

This I did by flattening a ball of sculpey to create a disc about 2-1/2" wide. I created the rounded outer rim of the ornament by making a long snake shape out of sculpey and wrapping it around the disc.

With the base made, I then stenciled in the rough shape of the wolf's head, marking it's placement on the disc. I then began to build up a mound of clay upon the disc, in the spot where I thought the clay would be thickest.

I then began work on making the mane of the wolf - the leaf-shaped locks of hair which would frame his head and provide the base for the rest of the figure. I made each leaf shape individually and placed them all on the disc around the raised mound.

Next step: The Mouth...

All original content in this guide written by Teresa Dietzinger. (Amethyst Angel) c. 2005 Got a question about anything you've read here? Just e-mail it to: dietzt@cloudnet.com